In mid-March, the ballet company of Prague’s National Theatre presented its second premiere of the season to its audience: the triptych Avant-Garde, featuring two world premieres by Robert Bondara and Marc Goecke, complemented by work of Jiří Kylián.

“Dance dance” reclaims the sheer power of the moving body by celebrating virtuosity, physical skill, and the expressive potential of movement itself. In Rome during the first trimester of 2026, the vitality of “dance dance” was on full display...

The ballet company of the Moravian-Silesian National Theatre in Ostrava premiered a programmed evening titled More Than Mozart!, subtitled The spell of music – the grace of dance – the joy of laughter.

This year’s Prague edition of the Malá inventura (Small Inventory) festival once again presented notable projects from the independent and experimental scene. In addition to established companies, it also introduced up-and-coming and lesser-known artists active in the Czech Republic.

Starting Friday, March 13, the public space around the Ministry of Culture of the Czech Republic on Maltézské náměstí will become the venue for the event Art Endures (Umění trvá), which draws attention to the long-standing underfunding of culture in the Czech Republic and to growing concerns about political interference in artistic freedom.

Over the past five years, Orbita|Spellbound National Centre for Dance Production has, under the direction of Valentina Marini, curated Rome’s dance season, spanning from the cold winter days of January to May’s summer-like evenings.

For almost every negative action, there are more or less three basic reactions. Escape, i.e., hiding in a corner and quietly whining about your little wounds. Attack. Possibly with a hammer.

If there's one thing that really characterizes Lenka Flory, it's the intensity with which she does everything in her life: creative work in the theatre, as well as cutting through the forest.