From 9 July to 9 August 2026, ImPulsTanz – Vienna International Dance Festival will once again bring together the international dance and performance scene in Vienna. In addition to Anne Teresa De Keersmaeker, Katerina Andreou and Boris Charmatz, Leïla Ka, Phia Ménard, Eun-Me Ahn and Christos Papadopoulos will also be appearing for the first time, as will TAO Dance Theatre with a world premiere.

Euro Art Publishing House and the Academy of Performing Arts Publishing House in Prague have released a new dance publication entitled The Duncan Method – Thinking Through Dance by choreographer and dance teacher Eva Blažíčková.

Crossing Berlin in winter is risky, the icy sidewalks are a constant hazard. Yet, the city simultaneously organizes itself into a constellation of diffuse performative spaces.

The 54th edition of the prestigious Prix de Lausanne ballet competition took place in Lausanne, Switzerland, from February 1 to 7, 2026. It culminated in the final evening on Saturday, February 7, during which fourteen of the twenty-one selected finalists were awarded prizes. At the same time, French prima ballerina Sylvie Guillem received an award for her lifetime contribution to the world of dance.

Denudation – this is the leitmotif of this year's 24th Malá inventura festival, which traditionally takes place in February and presents a selection of the most compelling performances created in the Czech Republic over the past season in the field of new, contemporary and independent theatre across genres.

Dance programming in Paris has recently been characterized by a noticeable reluctance to take artistic risks, largely driven by ongoing budget cuts across arts institutions.

The 38th edition of the TANEC PRAHA international festival will open on June 1, 2026, at the Ponec Theater with a performance Natural Order of Things by Guy Nader & Maria Campos. The Greek choreographer Christos Papadopoulos will provide the grand finale of the festival on June 23 at the Karlín Music Theater with his work My Fierce Ignorant Step.

Since time immemorial, mime has been a discipline that allows fluid and dynamic transitions from one genric or dramatic territory to another, including a completely individual, newly created iteration. Its universal expressive ability to convey stories and feelings is based in physical expression, more specifically, meaning-making movements, gestures, and mimicry.