On Sunday, September 21, MOVE Fest Ostrava 2025 kicked off at the cultural center Provoz in Ostrava with the Czech premiere of the dance film Zenit!
This summer, Teatro di Roma launched the first edition of the Teatro Ostia Antica Festival (23–26 July 2025), renewing its collaboration with the open-air Roman theatre of Ancient Ostia.
During the summer months, Vienna was brought to life by Impulstanz, one of the most important European festivals, offering an extensive, month-long programme. It featured a range of world-renowned names, among which Canadian choreographer, contemporary dance icon, and regular festival guest Marie Chouinard shone brightly.
What to do in a sunless summer? You warm up. Leading Austrian choreographer, director, and performance artist Florentina Holzinger does it in her usual — and perhaps more radical than ever — way: with an orgy, a surgical operation, female bodies dancing, crashing, and rising again.
As you might expect from one of the world’s busiest dance capitals, there is always lots to see in London. In this Letter from London, I bring you just a flavour of what has been happening here in the spring and early summer of 2025.
In their hometown of Estoril, Portuguese Companhia Paulo Ribeiro presented an adaptation of Maurice Accompagné—the first part of a period-inspired trilogy of contemporary dance designed to guide audiences through the early 20th century (with following parts focusing on the 1960s and the present day).
The season finale in the Spanish capital belongs to the Madrid en Danza festival, where some of the most prominent names on the contemporary dance scene can regularly be seen.
The online magazine Taneční aktuality is introducing a subscription model. While all news and reviews will remain free, interviews, profiles of personalities, and full versions of podcasts will move to a paywall in September.
The last premiere of the 2024/2025 season at the National Theatre Ballet was the triple bill Sarcasms, named after Hans van Manen's central duet, which in turn was named after Sergei Prokofiev's accompanying composition.
During the three-day “Reflections & Reflections – On the Future of Debate Culture” programme at the Berliner Festspiele, Emanuel Gat unveiled Freedom Sonata (2024), a work that navigates, both literally and conceptually, the fragile boundary between order and the pursuit of freedom.
Chybí v našem Diáři nějaká premiéra nebo repríza, o které by ostatní měli vědět? Napište nám o tom a pomozte nám tak zaplnit taneční diář.
