Swedish choreographer Mats Ek is well known for his remakes of classical ballets. Whether it is Giselle (1982), Swan Lake (1987), or The Sleeping Beauty (1996), Ek always approaches these jewels of the classical repertoire in his own way. Often refreshingly unconventional and, for some, even scandalous.

The 32nd edition of the Czech Dance Platform went ahead despite cuts in state subsidies. A revamped marketing identity, a more interesting selection of submitted works, and perhaps even the selection criteria themselves have benefited the platform compared to last year.

Laterna Magika presented the world premiere of Baron Münchhausen in an original retelling. Due to the renovation of the New Stage, the premiere took place on the stage of the Estates Theater.

Letní Letná announces more major international stars for its 23rd edition. Two big names from France are returning to Letenské sady following their previous success.

Happy International Dance Day! Read this year's message, written by renowned Canadian choreographer Crystal Pite.

At the age of 93, Claude Bessy, prima ballerina emerita, ballet mistress, and director of the École de danse de l’Opéra, passed away today, April 23, 2026. She devoted over sixty years of her life to a single institution, the Opéra national de Paris, where she became an étoile in 1956.

In mid-March, the ballet company of Prague’s National Theatre presented its second premiere of the season to its audience: the triptych Avant-Garde, featuring two world premieres by Robert Bondara and Marc Goecke, complemented by work of Jiří Kylián.

“Dance dance” reclaims the sheer power of the moving body by celebrating virtuosity, physical skill, and the expressive potential of movement itself. In Rome during the first trimester of 2026, the vitality of “dance dance” was on full display...