The identity of deaf people is often constructed by the hearing public and professional medical community on the basis of hearing loss, deafness, and disability. This view subordinates the Deaf community from majority society. But if we look at deaf identity through a cultural prism, we can view it in a more positive light.

Internationally-renowned dancer and choreographer Guillaume Côté premiered Burn Baby, Burn in 2024. The current Canadian tour showcases this innovative masterpiece...

Researcher self-reflection is an integral part of fieldwork, as well as of the process of writing the text itself. In connection with time spent in the field and the use of diverse methods, the researcher reflects on their own position and identity.

As the British dance scene becomes engulfed, at this time of year, by productions of The Nutcracker, I’d like to take this opportunity, in my second Letter from London, to look back at some of the performances I saw during the summer and autumn. This latest Letter will not be exhaustive, nor will it cover every dance company that has appeared here, but it does take us out of the capital for a brief look at some of the dance companies performing on tour.

Christos Papadopoulos, one of the most internationally well-known and beloved Greek choreographers, returned to Rome for the closing week of the fortieth edition of the Roma Europa Festival.

A select group of choreographers currently stands out in the global creative dance scene. In contemporary dance, the gender ratio of female and male choreographers is relatively balanced (thanks in part to the wave of modernist women in the first half of the 20th century). In the domestic environment, I would even dare to say that women predominate.

Literature, visual art, music, theatre. Most artistic professions have already entered the fight against content generated by artificial intelligence (AI). Photography competitions and stock photo databases are setting rules to counter AI photos out of fear of losing market value.

Premieres by large ensembles, small collectives, and individual artists, a decentralised, overflowing community, a promising excess of productions that lasted the entire season. I fear that one would need an entire book to provide an exhaustive list of all premieres and events, and not just a single chapter at that.