Adriana Štefaňáková made a notable debut to dance audiences last fall as a performer in Miřenka Čechová’s Hostage. Now she has presented her own full-length work Triptych: Genesis/Metamorphosis/6’7...

From the high-precision geometries of the Staatsballett to the archival memories of Radialsystem, Berlin’s spring 2026 dance season unfolds as a profound exploration of identity and heritage.

The Ministry of Culture of the Czech Republic has a full complement of political deputy ministers since May. Former ballet master and choreographer Jiří Bubeníček has joined the ministry’s leadership and will represent the SPD party. He has been in office since May 4.

Swedish choreographer Mats Ek is well known for his remakes of classical ballets. Whether it is Giselle (1982), Swan Lake (1987), or The Sleeping Beauty (1996), Ek always approaches these jewels of the classical repertoire in his own way. Often refreshingly unconventional and, for some, even scandalous.

Letní Letná announces more major international stars for its 23rd edition. Two big names from France are returning to Letenské sady following their previous success.

The Divadelní Flora International Festival will take place in Olomouc from May 15 to 24. This year’s festival is themed “Solidarity” and highlights contemporary dance and physical theater.

After a seasonal glut of Nutcrackers, dance companies in London settled into more diverse repertoire from the beginning of 2026. This latest Letter from London takes us from late January until early April.

Happy International Dance Day! Read this year's message, written by renowned Canadian choreographer Crystal Pite.