Sorour Darabi’s performances are places where the complexity of otherness is exposed. By bringing together personal and collective experiences, Darabi explores intersectionality and the changeability of our identity and bodies in relation to culture and their political context.

In the European premiere of her technicolour new work, South Korean choreographer Eun-Me Anh—one of the most important artists of her country, often referred to as the “Pina Bausch of Asia”—confronts Western audiences with their generalisations about the East.

“The ground is moving, and we are moving with it”, writes artistic director Ricardo Carmona. Tanz im August 2025 stays true to this vision: dance as a seismograph of present-day tensions.

Czech National Ballet has added another work by John Neumeier to its repertoire after A Streetcar Named Desire. This time it is the ballet Liliom, which had its world premiere in 2011 in a production by the Hamburg Ballett.

Biennale Danza 2025, Myth Makers, staged a landscape of tension and contradiction, where aesthetics collided with both implicit and overt politics.

The premiere of Your Ghosts, My Shadows took place at the Komedie Theater, home to the dance company of Czech choreographer, teacher, and director Lenka Vagnerová.

The Thalia Awards 2025, prestigious awards presented for the 32nd time by the Actors' Association to the most prominent figures in Czech theatre, were ceremoniously presented this evening in the historic building of the National Theatre in Prague.

The global celebration of ballet known as World Ballet Day returns to the online space and social media on November 12.