We met with world-renowned choreographer and versatile artist Jiří Kylián, whom I know personally, to talk about the upcoming unique event Kylián Festival: Wings of Time, which is being prepared in Oslo, Norway (May 29–June 14). We also discussed the perception of the passage of time, life, and death. 

The rising talents of Nederlands Dans Theater (NDT) brought Falling into Shadow to the stage of Stadsschouwburg Utrecht—a compelling, genre-blending evening built around three distinctive choreographies. 

He has been described as a dancer with the body of a Greek god and the aura of a movie star. He has reached the highest of the highest in the ballet world, and he has done it all, as it were, with grace, a disarming smile and without breaking a drop of sweat. 

Loneliness, fear and moon dust. Prague's Švandovo Theatre hosted the internationally acclaimed mime and choreographer Radim Vizváry for the umpteenth time. 

A guest of the Berliner Festspiele Performing Arts Season, the Israeli Batsheva Dance Company presented Ohad Naharin’s MOMO (2022), a non-narrative, mesmerising piece, strongly characterised by duality.

I have been attending internationale tanzmesse nrw in Düsseldorf for over twenty years. As an exhibitor with a stand at the fair, I have been able to attract international attention and numerous readers and customers for my dance magazine tanznetz.

Exactly sixty years ago, the first version of Onegin, arguably John Cranko's most famous ballet, premiered in Stuttgart. It would receive its final cut two years later, followed by international acclaim another two years after that, during a tour of the United States.